Singer, Pianist and Conductor Michel Legrand, a living film music legend, presents his most famous scores, jazz tunes and chansons on this DVD. Not many composers can claim to have written for both Edith Piaf and the James Bond films – and it’s…

Max Raabe and his Palast Orchester give dance and film Music from the 1920s and 1930s a rousing revival. They specialise in recreating the sound of the 1920s and 1930s, performing songs by the Comedian Harmonists, Robert Stolz, Friedrich Hollaender,…

On New Year’s Eve 2009 Havana’s legendary nightclub, Tropicana, celebrated its seventieth birthday with a colourful revue, and the evening’s special guest was the world-famous Omara Portuondo. Together with her five-man band, which ranges in style…

One of the few complete concert performances of Louis “Satchmo” Armstrong, this live recording features the legendary jazz trumpeter and singer on an Australian tour in 1964, when he had already become an international superstar and a living symbol…

The German Brass Ensemble presents some of Bach’s most popular tunes in breathtakingly brilliant and virtuoso arrangements for brass instruments. Recorded live in “Bach’s church” – the wonderful St Thomas’s Church in Leipzig - the programme includes…

This DVD is a documentary of Heinz Holliger, the leading oboist of our day. As a composer Holliger has become a classic exponent of musical modernism, while as an oboist and conductor he is one of the most inspirational figures on the contemporary…

The two films on this DVD combine some of the most demanding chamber works ever written. Recorded at the atmospheric Academy of Sciences in Budapest, the Keller Quartet plays a version of Bach’s unfinished masterpiece The Art of the Fugue for string…

The moving text of the “Stabat Mater” has been an inspiration to many composers from the Renaissance onwards. Luigi Boccherini, a virtuoso cellist and master of chamber music, composed this religious work with profound respect for the text and it’s…

"Jubilee Concert in Buenos Aires": On the afternoon of 19 August 1950, a young boy in short trousers climbed the steps to the stage of the Sala Beyer in Buenos Aires to make his piano début. 50 years later, Daniel Barenboim returned “to the scene of…

A dim light picks out the outlines of the hall. Suddenly a massive shadow appears and moves swiftly over to the keyboard. There follows the vaguest of unsmiling acknowledgements in the general direction of the audience, and then the music begins.…