On 17 July 1986, Nathan Milstein played his last public recital in the Berwaldhallen in Stockholm. The recital included the Bach Chaconne, one of the towering masterpieces of Western music and one of the most difficult to do justice to. Milstein was…

In the historic Weimar Herder Church Sir John Eliot Gardiner finds the perfect setting for his recording of the Bach Christmas Oratorio. Against the backdrop of the dramatic altar and Lucas Granach paintings, the Monteverdi Choir and the English…

Herbert Blomstedt appears with the Gewandhaus Orchestra for the last time as the Gewandhaus Music Director in this recording. After seven successful years in Leipzig, the maestro performs a work in the Thomas Church that is especially dear to him…

The “Bolero”, originally composed as a ballet, is Maurice Ravel's most successful work at all. The world famous melody of the “Bolero” has been featured in popular music, motion pictures and even video games. Pianist and writer Paul Roberts vividly…

The Nobel Prize Concert 2008 offers fantastic performers: Sir John Eliot Gardiner and his Monteverdi Choir, together with Eric Ericson Chamber Choir and the Scandinavian singers Miah Persson, soprano, Ann Hallenberg, alto, Helge Rönning, tenor, and…

Johann Sebastian Bach's most famous Christmas work was recorded live at the Salle Henry Le Bœuf in the Palais des Beaux-Arts in Brussels. Who would have thought, three centuries ago, that these cantatas, written by Bach for the services from…

Philippe Herreweghe, principal conductor of the Royal Flemish Philharmonic, has devoted himself for over ten years to fresh and invigorating readings of the (pre-) Romantic repertoire. Together with the Collegium Vocale, founded in 1970 by Herreweghe…

This live recording captures the memorable occasion when these two famous jazz pianists met for the first time in the Kongressaal during the Munich Klaviersommer 1983. On two pianos, they play an exciting version of Round Midnight.

Haendel composed only episodically for the church: the Dixit Dominus is a psalm written during his stay in Rome, based on the Venetian models with borrowed Gregorian singing. We are stroke by the wealth of the words we hear: emotion pierces the mind…

On Wednesday, October 16th, Dmitri Hvorostovsky's birthday, the Festival officially opens with a performance of Giuseppe Verdi's Messa da Requiem.