What if our minds could live forever? Recent advances in artificial intelligence and neuroscience mean that we will soon be able to map our memories and experiences, and to use these data to build a digital consciousness identical with our own. These…

“FEELING PIAZZOLLA” is a documentary film that analyzes the melancholy in Astor Piazzolla’s music (1921-1992), the best known Argentine composer in the world. The film approaches his personality, tying certain episodes in his life with his work. It’s…

The Ensemble I Gemelli takes us on a journey to the heart of the Italian 17th century, between cult arias and cantatas of the period. A timeless rendezvous at the Théâtre Graslin in Nantes. From Monterverdi to Cavalli via Sances, Strozzi and…

A mixture of christian music, secular pieces and improvisations. Performed by the The Danish National Vocal Ensemble and recorded in beautiful setting of the Copenhagen Cathedral in Danmark. The Danish National Vocal Ensemble is an elite professional…

Recorded at the Royaumont Abbey, France Philippe Jaroussky performs sacred works by Vivaldi, Scarlatti, Pergolesi.

OMG! Van Eyck was here. Celebrating Jan van Eyck: Herreweghe and Collegium Vocale Commissioned by the City of Ghent and on the occasion of the Van Eyck Year 2020, the Estonian composer Arvo Pärt wrote a new work with the world-famous altarpiece the…

Maria Callas and Renata Tebaldi were the two most celebrated artists of the second half of the last century. Made into hostile enemies by their admirers, the two became untouchable goddesses of the opera. To their fans, Callas was known as “the…

A feature documentary about female singers living inside Iran and their daily life and the deepest wish: “I want my voice to be heard”. Dealing with cultural censorship in Iran, women singers started using also digital media more. Invited by Negar, a…

"What should have been here. There was folk theatre here and otherwise it was dead," remembers Helmut Viertel. Reason enough for the jazz-loving bailiff to set up something new in his new place of work, Burghausen. The encounter with jazz musician…

Charpentier’s most famous Te Deum – he wrote four – overawes in exultant D Major, with an eight-part ensemble and show-stealing trumpets and timpani. It is no great surprise then that this work – and especially its instrumental prelude – became a hit…