Monaco 1925 saw the world premiere of a unique ballet on music by Stravinsky, dresses and decor by Matisse and choreography by Balanchine (his first work in the west): 'Le Chant du Rossignol'. It was based on a fairytale by Andersen, produced by…

7 VISIONS OF AMEN is a masterpiece of Olivier Messiaen's musical production consisting of seven meanings of the word Amen. It is extraordinarily contemporary despite its 70 years of existence and its writing music is highlighted by four main essences…

“I wanted to do something big and wild and different. Something with water!” said choreographer Alexander Ekman and filled the Main Stage at the Oslo Opera House with 5,000 litres of water. In "A Swan Lake", his new full-length work created for the…

One of the greatest romantic ballets of all time, Giselle is the first full length ballet choreographed by Akram Khan . The classic story of love, betrayal and redemption has been reimagined in this stunning new version, with sets and costumes by…

‘I want to create a joyful, entertaining work with plenty of energy. I really look forward to working with all the talent in GöteborgsOperans Danskompani.’  — Alexander Ekman In Hammer, a harmonious community shares an altruistic lifestyle inspired…

German Network ZDF called Scandale „classical music for the pop age“ - and that might just be the exact right way to describe the collaboration between Ott and Tristano. The recording radiates energy and joy - as do the two artists when they go on…

András Schiff plays Bachs Goldberg Variations.

Italian pianist Andrea Lucchesini performs some of Chopin’s most famous pieces for piano. Lucchesini's playing is both technically virtuosic and emotionally charged, capturing the beauty and grandeur of Chopin's compositions with grace and poise.

In this interpretation, Sleeping Beauty lives isolated in a world shaped by hedonism, created as a social panorama in a kind of chamber play. Only after a major drop from this fake world, she lands on the ground of facts. She falls into a deep sleep…

In 1972, when Vladimir Ashkenazy was at a new peak both in his playing and in his career, we planned with him to shoot two recitals for television, one Chopin and one Beethoven. For quite some time he had been extremely reluctant to perform in…