A series of recitals by the master pianist Vladimir Ashkenazy at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in part from his broadening…

This live recording captures the memorable occasion when these two famous jazz pianists met for the first time in the Kongressaal during the Munich Klaviersommer 1983. On two pianos, they play an exciting version of Round Midnight.

A series of six recitals, including the last five Beethoven Sonatas, by this master pianist at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in…

A series of six recitals, including the last five Beethoven Sonatas, by this master pianist at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in…

The three Sonatinas Opus 137 were written in 1816, one of Schubert’s happiest and most prolific years. He modelled them on the Sonatas of Mozart, but they are full of unmistakable Schubertian lyricism which was much admired by Brahms. The arpeggione…

The three Sonatinas Opus 137 were written in 1816, one of Schubert’s happiest and most prolific years. He modelled them on the Sonatas of Mozart, but they are full of unmistakable Schubertian lyricism which was much admired by Brahms. The arpeggione…

Vladimir Ashkenazy has had a particular affection for the music of Rachmaninoff throughout his professional life, and his performances have long had the ring both of authenticity and of deep commitment. This is not surprising in a Russian-born and…

Vladimir Ashkenazy has had a particular affection for the music of Rachmaninoff throughout his professional life, and his performances have long had the ring both of authenticity and of deep commitment. This is not surprising in a Russian-born and…

Vladimir Ashkenazy closed the 1984/85 season in London with a recital at the Royal Festival Hall that was regarded by many of those present as a new peak in his musicmaking. If that perception is correct, it is a remarkable achievement in a career…

The final concert during the Münchner Klaviersommer 1992 in the sold-out Philharmonie was given by Wynton Marsalis and his septet. The only 31 years young star trumpet player presented one of his own jazz suite under the title of „In This House, On…