One of the world’s most celebrated ensembles, The King’s Singers have a packed schedule of concerts, recordings, media and education work that spans the globe. Championing the work of young and established composers, they remain consummate…

Experience Verdi’s powerful and iconic Requiem in a performance at Milan’s Church of San Marco, the same place where it was premiered in 1868! The talented and audacious conductor Teodor Currentzis leads this exciting and historic concert. 19th…

The Christmas concert recorded at the Berlin Schauspielhaus on the Gendarmeriemarkt was one of the first joint musical productions of the reunited Germany. Fade-overs to landscapes and other locations in snow and ice turn the concert into a romantic…

In 1827, a year before his death, Franz Schubert wrote one of his most important works: the Winterreise. In the song cycle the Austrian composer set the 24 poems of Wilhelm Müller to music and depicted the haunted soul and landscape of the state of…

Gioacchino Rossini's Petite Messe Solennelle was written in 1863, "the last", the composer called it, of my "péchés de vieillesse" (sins of old age). For its first performance (1864) Rossini arranged the work with only two pianos and harmonium…

The starting point of Shchedrin's composition is the tune from Chopin's Prelude in C minor No.28 Op.20. Recorded in the Kongressaal in Munich, it is performed by Rodion Shchedrin himself, Nicolas Economou, Paul Gulda and the American jazz pianist…

Der Rosenkavalier is Richard Strauss’s most popular opera and the greatest comic opera since Mozart. Premiered just three years before the start of the First World War, the opera traces the artistic heritage of the Austrian-Hungarian empire in the…

A musical duel... An artistic masterpice... A grand piano competition between two of Scandinavia's finest pianists, Staffan Scheja and Roland Pöntinnen. A classical programme that will delight all audiences.

The three Sonatinas Opus 137 were written in 1816, one of Schubert’s happiest and most prolific years. He modelled them on the Sonatas of Mozart, but they are full of unmistakable Schubertian lyricism which was much admired by Brahms. The arpeggione…