45 results
Marcia Haydée's choreography "Sleeping Beauty" is the tragic conflict of Carabosse and the Lilac Fairy; of good and evil. This programme portrays a Ballet company at work on the choreography and includes clips from the finished production.
Length
28 mins
Prog. No.
0121
A documentary on the concept and execution of Marcia Haydée's new choreography of "Giselle".
Length
29 mins
Prog. No.
0122
"Enas" - The Greek word for "being one" - is interpreted in this ballet, which represents Marcia Haydée's first free choreography. With the music of Vangelis Papathanassiou.
Length
28 mins
Prog. No.
0123
Larry Fuller, famous for his work on "Evita", joins forces with musical theatre specialist Charles B. Axton to create a sizzling rendition of the Rodgers and Hard Broadway classic. This documentary goes behind the scenes at the Stuttgarter Ballet.
Length
29 mins
Prog. No.
0177
The Czech composer based his libretto on the play "Le Voyage de Thésée" by his friend and trusted source of inspiration, Georges Neveux. Martinu is said to have written the opera for Maria Callas. In this production, the role is sung by the…
Length
45 mins
Prog. No.
0583
"Il Ballo delle Ingrate" is based on the Idea that the "Ingrate" (women who have been hard-hearted in love) should return to earth from hell to warn the ladies in the audience against a similar fate. The warning is not expressed in the form of…
Length
40 mins
Prog. No.
3451
In 1808 the composer and violinist Louis Spohr was invited to a rehearsal in Beethoven's house of the D Major Piano Trio, Opus 70, No.1 known as The Ghost, and wrote of the occasion: "It was not an enjoyable experience. First of all the piano was…
Length
29 mins
Prog. No.
3639
Two Bach Partitas filmed live at a BBC Radio Lunch Time Concert in St John’s, Smith Square, London.
Length
33 mins
Prog. No.
3649
Two Bach Partitas filmed live at a BBC Radio Lunch Time Concert in St John’s, Smith Square, London.
Length
21 mins
Prog. No.
3650
A series of recitals by the master pianist Vladimir Ashkenazy at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in part from his broadening…
Length
41 mins
Prog. No.
3654