In Spring 2009, the year of Joseph Haydn, Xavier de Maistre was invited to the Esterházy Castle in Eisenstadt, where the composer officiated nearly thirty years. After an introduction in which he plays a solo Fantasy on a Theme of Haydn by Marcel…

The final concert during the Münchner Klaviersommer 1992 in the sold-out Philharmonie was given by Wynton Marsalis and his septet. The only 31 years young star trumpet player presented one of his own jazz suite under the title of „In This House, On…

Two former female Kurdish guerrilla fighters reconnect over their shared history and their decision to leave the movement to fight for Kurdish freedom in a different, non-violent way. A story of resistance against the suppression of one's own voice…

Why is it that works by women artists are still less valued on the art market? How come that there are still significantly fewer works by women artists exhibited in museums than by male artists? Where are all those women? They have always been around…

Why is it that works by women artists are still less valued on the art market? How come that there are still significantly fewer works by women artists exhibited in museums than by male artists? Where are all those women? They have always been around…

Why is it that works by women artists are still less valued on the art market? How come that there are still significantly fewer works by women artists exhibited in museums than by male artists? Where are all those women? They have always been around…

Why is it that works by women artists are still less valued on the art market? How come that there are still significantly fewer works by women artists exhibited in museums than by male artists? Where are all those women? They have always been around…

Two of Germany's most renowned jazz musicians, Albert Mangelsdorff (trombone) and Wolfgang Dauner (piano), join forces with Christoph Lauer (saxophone), Dieter Ilg (double bass) and Wolfgang Haffner (drums) in a concert recorded live from the…

Our telecast of the C minor Mass was shot at the Knight's Hall in Wolfegg and shows Helmuth Rilling both in rehearsal and performance.

In Michael Hampe's much-praised staging, Don Giovanni appears "as the embodiment of absolute, irresistible tempestuous life force.." and "as rebel against human order, against law and morality".