Marcia Haydée's choreography "Sleeping Beauty" is the tragic conflict of Carabosse and the Lilac Fairy; of good and evil. This programme portrays a Ballet company at work on the choreography and includes clips from the finished production.

A documentary on the concept and execution of Marcia Haydée's new choreography of "Giselle".

"Enas" - The Greek word for "being one" - is interpreted in this ballet, which represents Marcia Haydée's first free choreography. With the music of Vangelis Papathanassiou.

Larry Fuller, famous for his work on "Evita", joins forces with musical theatre specialist Charles B. Axton to create a sizzling rendition of the Rodgers and Hard Broadway classic. This documentary goes behind the scenes at the Stuttgarter Ballet.

Norbert Beilharz captures the Swiss choreographer Heinz Spoerli's work methods on film, basing his portrait on the development of the Swiss master's new ballet: "Goldberg Variations".

The Czech composer based his libretto on the play "Le Voyage de Thésée" by his friend and trusted source of inspiration, Georges Neveux. Martinu is said to have written the opera for Maria Callas. In this production, the role is sung by the…

Based on Shakespeare's play, this ballet version adds some imaginative new twists to a popular tale. Heinz Spoerli and the Ballet der Oper am Rhein dance to music in a variety of styles - including Philip Glass's Violin Concerto No. 1, performed by…

Giovanni Battista Pergolesi became the leading representative of the development of the early Neapolitan Opera Buffa. "La Serva Padrona", his most popular opera until today, caused the "Buffonisten" controversy at its premiere in 1752.

"Livietta e Tracollo" is the intermezzo of Pergolesi's last opera for the city of Naples, Adriano in Syria. Like "La Serva Padrona", "Livietta el Tracollo" enjoyed a long run in the repertoire of the opera houses.

"Il Ballo delle Ingrate" is based on the Idea that the "Ingrate" (women who have been hard-hearted in love) should return to earth from hell to warn the ladies in the audience against a similar fate. The warning is not expressed in the form of…