Based on Hogarth's series of prints, "The Rake's Progress" combines the eighteenth century with the twentieth. The highly individualized set of this production, designed by David Hockney, reflects perfectly the "spikiness" of the music, combined with…

Mozart's 'Don Giovanni', "the opera of all operas", as E.T.A. Hoffman once called it, is a work with many meanings. Peter Hall and Bernard Haitink's interpretation of the Mozart cycle was enthusiastically received at the Glyndebourne festival.

Glyndebourne's 1978 production of Mozart's "Die Zauberflöte" received as much critical acclaim for the imaginative David Hockney sets as for the operatic performances. Hockney emphasised the magical and mystical qualities of one of Mozart's best…

Three of the world's leading jazz guitarists - Charlie Byrd, Barney Kessel and Herb Ellis, tour Europe following their successful Carnegie Hall concert.

Sir Peter Hall's outstanding Glyndebourne Festival Opera production of "Fidelio" remains remarkably faithful to the way Beethoven intended the opera to be. He managed to inject fresh excitement and suspense into "Fidelio", providing a perfect…

Mozart's "Die Entführung aus dem Serail" is best loved for its memorable music and lively wit. The opera tells the story of the efforts of a Spanish nobleman to rescue his betrothed who is held captive against her will in a Turkish harem.

A concert by these acclaimed pianists, each from widely differing piano disciplines, features them improvising together. Solo performances punctuate the concert

This live recording captures the memorable occasion when these two famous jazz pianists met for the first time in the Kongressaal during the Munich Klaviersommer 1983. On two pianos, they play an exciting version of Round Midnight.

The starting point of Shchedrin's composition is the tune from Chopin's Prelude in C minor No.28 Op.20. Recorded in the Kongressaal in Munich, it is performed by Rodion Shchedrin himself, Nicolas Economou, Paul Gulda and the American jazz pianist…

A hand-picked ensemble of soloists join together with the Gächinger Kantorei and the Bach-Collegium Stuttgart under the direction of Helmuth Rilling to give a truly definitive performance of this pre-eminent masterwork.