"Il Ballo delle Ingrate" is based on the Idea that the "Ingrate" (women who have been hard-hearted in love) should return to earth from hell to warn the ladies in the audience against a similar fate. The warning is not expressed in the form of…

Recorded live, this concert of piano music features solo performances of Debussy's ESTAMPES, Chopin's SCHERZO IN B FLAT MINOR and three NOUVELLES ETUDES by Nelson Freire. He is then joined by Martha Argerich and, together, they play Ravel's LA VALSE…

Recorded at the Kongressaal, Munich, Martha Argerich plays the piano and Mischa Maisky the cello, in a performance of Robert Schumann's FANTASY PIECES NOS 1-3 OP.73.

Recorded during the Munich Klaviersommer, Martha Argerich and Nicolas Economou play MOZART'S PIANO SONATA FOR FOUR HANDS KV 381.

A concert by these acclaimed pianists, each from widely differing piano disciplines, features them improvising together. Solo performances punctuate the concert

This live recording begins with Corea's suite entitled Homecoming, played by both pianists and continues with six pieces from Bartók's Mikrokosmos. Another Corea piece follows - Duet for Two Pianos in Three Parts.

This solo performance is the first occasion on which Gulda linked together in a concert notated classical music, improvised music and his own compositions. The live recording from the Kongressaal, Munich opens with Mozart's Piano Sonata No 12 in F…

This live recording captures the memorable occasion when these two famous jazz pianists met for the first time in the Kongressaal during the Munich Klaviersommer 1983. On two pianos, they play an exciting version of Round Midnight.

The starting point of Shchedrin's composition is the tune from Chopin's Prelude in C minor No.28 Op.20. Recorded in the Kongressaal in Munich, it is performed by Rodion Shchedrin himself, Nicolas Economou, Paul Gulda and the American jazz pianist…

Chick Corea plays a selection of his own compositions and improvisations in a live concert recording. Corea's style shows marked changes since his solo 1982 performance, integrating classical and romantic elements .