A concert by these acclaimed pianists, each from widely differing piano disciplines, features them improvising together. Solo performances punctuate the concert

This live recording begins with Corea's suite entitled Homecoming, played by both pianists and continues with six pieces from Bartók's Mikrokosmos. Another Corea piece follows - Duet for Two Pianos in Three Parts.

The starting point of Shchedrin's composition is the tune from Chopin's Prelude in C minor No.28 Op.20. Recorded in the Kongressaal in Munich, it is performed by Rodion Shchedrin himself, Nicolas Economou, Paul Gulda and the American jazz pianist…

This live recording captures the memorable occasion when these two famous jazz pianists met for the first time in the Kongressaal during the Munich Klaviersommer 1983. On two pianos, they play an exciting version of Round Midnight.

Chick Corea plays a selection of his own compositions and improvisations in a live concert recording. Corea's style shows marked changes since his solo 1982 performance, integrating classical and romantic elements .

A series of six recitals, including the last five Beethoven Sonatas, by this master pianist at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in…

A series of six recitals, including the last five Beethoven Sonatas, by this master pianist at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in…

A series of six recitals, including the last five Beethoven Sonatas, by this master pianist at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in…

Pianist Chick Corea and flutist Steve Kujala play solo and duet in a 1984 concert at the Kongresshalle Munich.

The three Sonatinas Opus 137 were written in 1816, one of Schubert’s happiest and most prolific years. He modelled them on the Sonatas of Mozart, but they are full of unmistakable Schubertian lyricism which was much admired by Brahms. The arpeggione…