The 420-member company of the Deutsche Oper Berlin brought "Die Meistersinger von Nürnberg", "Tristan and Isolde" and "Lohengrin" to Tokyo. The privately-operated Tokyo Ballet performed "Kabuki" and "M", in Berlin. Our film takes a look at the work…

The Swedish composer, flutist and keyboardist Björn J. Lindh and the Swedish pianist Staffan Scheja create together their own interpretation of the changing face of Europe.

Classical music is not supposed to be fun, right? And yet, every concert of the Philharmonix is a living, grooving, finger-snapping testament to the contrary. The Philharmonix’ sophisticated sense of humor allows them to move seamlessly from the…

Towards the end of 1976 Itzhak Perlman and Pinchas Zukerman made a European tour together, playing duos for two violins and for violin and viola with Zukerman playing the viola part. The tour began with a concert in the Théâtre des Champs-Elysées in…

Two Bach Partitas filmed live at a BBC Radio Lunch Time Concert in St John’s, Smith Square, London.

A series of recitals by the master pianist Vladimir Ashkenazy at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in part from his broadening…

A series of six recitals, including the last five Beethoven Sonatas, by this master pianist at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in…

A series of six recitals, including the last five Beethoven Sonatas, by this master pianist at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in…

A series of six recitals, including the last five Beethoven Sonatas, by this master pianist at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in…

The three Sonatinas Opus 137 were written in 1816, one of Schubert’s happiest and most prolific years. He modelled them on the Sonatas of Mozart, but they are full of unmistakable Schubertian lyricism which was much admired by Brahms. The arpeggione…