Sir Peter Hall's outstanding Glyndebourne Festival Opera production of "Fidelio" remains remarkably faithful to the way Beethoven intended the opera to be. He managed to inject fresh excitement and suspense into "Fidelio", providing a perfect…

"Il Ballo delle Ingrate" is based on the Idea that the "Ingrate" (women who have been hard-hearted in love) should return to earth from hell to warn the ladies in the audience against a similar fate. The warning is not expressed in the form of…

Mozart's "Die Entführung aus dem Serail" is best loved for its memorable music and lively wit. The opera tells the story of the efforts of a Spanish nobleman to rescue his betrothed who is held captive against her will in a Turkish harem.

The three Sonatinas Opus 137 were written in 1816, one of Schubert’s happiest and most prolific years. He modelled them on the Sonatas of Mozart, but they are full of unmistakable Schubertian lyricism which was much admired by Brahms. The arpeggione…

A hand-picked ensemble of soloists join together with the Gächinger Kantorei and the Bach-Collegium Stuttgart under the direction of Helmuth Rilling to give a truly definitive performance of this pre-eminent masterwork.

Schwetzingen is a tiny town near Heidelberg which has a famous palace with magnificent gardens, not unlike those at Versailles. The Schwetzingen Festival is held every Spring in the palace and commissions a small-scale opera for the palace's…

Schwetzingen is a tiny town near Heidelberg which has a famous palace with magnificent gardens, not unlike those at Versailles. The Schwetzingen Festival is held every Spring in the palace and commissions a small-scale opera for the palace's…

One of Rossini's masterpieces; a frothy little farce on the surface with an underlying sharp social critique.

"Enas" - The Greek word for "being one" - is interpreted in this ballet, which represents Marcia Haydée's first free choreography. With the music of Vangelis Papathanassiou.

The performance features the talents of today's leading Bach expert, Helmuth Rilling with his Gächinger Kantorei and Bach-Collegium Stuttgart, in the first performance of this work since its rediscovery in 1988.