The three Sonatinas Opus 137 were written in 1816, one of Schubert’s happiest and most prolific years. He modelled them on the Sonatas of Mozart, but they are full of unmistakable Schubertian lyricism which was much admired by Brahms. The arpeggione…

Eberhard Weber, world-renowned and incomparable with his swingingly romantic bass, invites two of his "brothers in music" to a joint concert. The result is a virtuoso concert full of power, concentration and inner harmony.

Widely accepted as a leading authority on Baroque music, Ton Koopman conducts J.S. Bach's Magnificat BWV 243. Performed by the Amsterdam Baroque Orchestra and Choir joined by soloists Deborah Yorck (soprano), Bogna Bartosz (alto), Jörg Dürmüller…

This programme records a concert at Schloss Ansbach in 1978, with Coleman at the peak of his musical expression, supported by Shannon Jackson and Ornette Denardo Coleman jnr (

Chick Corea plays a selection of his own compositions and improvisations in a live concert recording. Corea's style shows marked changes since his solo 1982 performance, integrating classical and romantic elements .

This live recording captures the memorable occasion when these two famous jazz pianists met for the first time in the Kongressaal during the Munich Klaviersommer 1983. On two pianos, they play an exciting version of Round Midnight.

Live recording of a concert at Schloss Ansbach 1978. The line-up: Gil Evans (p), Steve Lacy (ss), Arthur Blythe (as), Pit Levin (synth), Earl McAntyre (tu, tb), Lewis Soloff (tr), Geoffrey Berlin (b), Sue Evans (perc),

In this live concert recording, Gulda is joined by Barbara Dennerlein (organ), Harry Sokal (saxophone) and Jojo Mayer (drums), for a set featuring jazz standards and improvisations.

Gulda and the Paradise Trio team up with Vertigo, a techno-DJ, for a wild musical experiment, creating jazz-techno fusion live on stage. Dancers - Gulda's Paradise Girls - add to the excitement of the event and no one in the house is left in their…

This recording captures a spontaneous piano duo in the Munich Philharmonie, which clearly illustrates the common background of these two pianists in the Vienna of the 1940s and '50s.