Egberto Gismonti is a totally exotic musical missionary from Brazil who seldom gives solo concerts. Here he gives an unforgettable performance on piano and 8-string guitar. On Guitar: 28' On piano: 26

Alfred Brendel is arguably the most outstanding exponent of Schubert's piano music currently before the public, a man capable of bringing to vibrant life not only the verve of this music but also its poetic intensity and intellectual depth. In this…

Based on Hogarth's series of prints, "The Rake's Progress" combines the eighteenth century with the twentieth. The highly individualized set of this production, designed by David Hockney, reflects perfectly the "spikiness" of the music, combined with…

The Czech composer based his libretto on the play "Le Voyage de Thésée" by his friend and trusted source of inspiration, Georges Neveux. Martinu is said to have written the opera for Maria Callas. In this production, the role is sung by the…

Recorded during the "Schwetzinger Festspiele" 1989 in the cathedral of Speyer.

The two musicians Terje Rypdal and Miroslav Vitous recently found a kindred spirit in the Indian percussionist Trilok Gurtu, who manages to play drums and percussion simultaneously on the drum set he designed himself.

Roman Zaslavsky understands how to contrast the two ingenious opposites Robert Schumann and Franz Liszt side by side, on one recording giving each one his due, thus offering a completely new approach to their music and also to two rather different…

Based on Shakespeare's play, this ballet version adds some imaginative new twists to a popular tale. Heinz Spoerli and the Ballet der Oper am Rhein dance to music in a variety of styles - including Philip Glass's Violin Concerto No. 1, performed by…

The dissolute knight, Sir John Falstaff, unable to pay his bills at the Garter Inn, decides to exert his charms on Mistress Ford and Mistress Page, wives of wealthy merchants. The two women, aided by Mistress Quickly, devise a plot to outwit him. But…

This film is a perfomance of the work recorded in Tokyo during the Deutsche Oper Berlin's 1993 Japan tour in Götz Friedrich's highly respected, much-discussed staging.