This performance is a very intimate meeting of three great artists of Jazz, featuring music ranging from Argentinian Tango to international musical favourites. Very rarely has the vibrant intensity of a performance been captured with such atmosphere.

The two musicians Terje Rypdal and Miroslav Vitous recently found a kindred spirit in the Indian percussionist Trilok Gurtu, who manages to play drums and percussion simultaneously on the drum set he designed himself.

The form, rhythm and tone of Rabih Abou-Khalil's music usually follow the pattern of Arabian instrumental music, but for his amazingly cosmopolitan sound Abou-Khalil has created a synthesis of Arabian music with Western classical and jazz idioms.

The three Sonatinas Opus 137 were written in 1816, one of Schubert’s happiest and most prolific years. He modelled them on the Sonatas of Mozart, but they are full of unmistakable Schubertian lyricism which was much admired by Brahms. The arpeggione…

Recorded at the Royaumont Abbey, France Philippe Jaroussky performs sacred works by Vivaldi, Scarlatti, Pergolesi.

OMG! Van Eyck was here. Celebrating Jan van Eyck: Herreweghe and Collegium Vocale Commissioned by the City of Ghent and on the occasion of the Van Eyck Year 2020, the Estonian composer Arvo Pärt wrote a new work with the world-famous altarpiece the…

For more than 20 years, this quartet has been a musical melting pot, artfully blending American jazz, European classics, Indian and African music into an instantly recognizable, meditative sound experience.

The members of the ensemble are all distinguished soloists who represent a high level of artistry. This is traditional Indian folkloristic music at its purest, presented with a high level of interaction between the musicians.

Charlie Parker and Leonard Bernstein, Steve Reich and Philip Glass all praised the blind vagabond Moondog as one of the great musical visionaries of our century.

The performance features the talents of today's leading Bach expert, Helmuth Rilling with his Gächinger Kantorei and Bach-Collegium Stuttgart, in the first performance of this work since its rediscovery in 1988.