Mozart's "Die Entführung aus dem Serail" is best loved for its memorable music and lively wit. The opera tells the story of the efforts of a Spanish nobleman to rescue his betrothed who is held captive against her will in a Turkish harem.

A series of recitals by the master pianist Vladimir Ashkenazy at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in part from his broadening…

A series of recitals by the master pianist Vladimir Ashkenazy at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in part from his broadening…

These two programmes were recorded live from the Amerikahaus, Munich. In Vol. 1, Gulda plays Mozart's Sonata No. 4 in E flat K282, and Sonata No. 9 in D K311. In Vol. 2, he plays Mozart's Sonata No.12 in F K332, Sonata No.14 in C minor K457…

A series of recitals by the master pianist Vladimir Ashkenazy at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in part from his broadening…

A series of six recitals, including the last five Beethoven Sonatas, by this master pianist at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in…

A series of six recitals, including the last five Beethoven Sonatas, by this master pianist at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in…

A series of six recitals, including the last five Beethoven Sonatas, by this master pianist at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in…

The three Sonatinas Opus 137 were written in 1816, one of Schubert’s happiest and most prolific years. He modelled them on the Sonatas of Mozart, but they are full of unmistakable Schubertian lyricism which was much admired by Brahms. The arpeggione…

The three Sonatinas Opus 137 were written in 1816, one of Schubert’s happiest and most prolific years. He modelled them on the Sonatas of Mozart, but they are full of unmistakable Schubertian lyricism which was much admired by Brahms. The arpeggione…