Alphaville, Germany's biggest synth-pop export and creators of the legendary 80s anthems "Big in Japan", "Sounds like a Melody" and "Forever Young" are looking back on 40 years of band history and export their greatest hits to the symphonic world…

EuroArts is proud to present soprano Anna Netrebko and tenor Yusif Eyvazov in a unique program of arias and duets from operas by Verdi, Cilea, Puccini and Giordano, among them pieces Anna Netrebko has never recorded before.

Philippe Herreweghe, one of today's most profound and erudite Bach interpreters, and his Collegium Vocale Gent present their new vision of a musical work for which nobody can say the ultimate word. This concert film of Bach's Missa in h-moll was…

Copland wrote his ballet score Appalachian Spring for a 13-member chamber ensemble in 1944. Since then, it has had several orchestral arrangements. The one on the programme is by the evening’s conductor Michael Tilson Thomas. Balancing it out is…

Celebrating democracy, freedom and non-violence, the Czech Philharmonic’s concert to mark the Velvet Revolution was presented for the first time in 2020. Taking place every year on 17 November – both the day the then Czechoslovak riot police brutally…

Schumann’s oratorio Paradise and the Peri stands apart from the usual oratorio repertoire because of its secular subject matter that was so typical of the German composer. Its beautiful melodies and loftiness of expression are definitely worthy of…

Immerse yourself in a captivating classical concert recording with the Czech Philharmonic conducted by Jakub Hruša. Experience the world premiere of Slavomir Horinka's Rejoice III, Ciaccona for Orchestra, followed by Josef Špaček's mesmerizing…

The concert prepared by Jakub Hruša and the world-famous pianist Daniil Trifonov starts with Scriabin’s brilliant Piano Concerto. For the second half of the concert they perform Josef Suk’s iconic Asrael Symphony. “In the case of the Piano Concerto…

A night of Czech Music: Jakub Hrůša conducts Suk, Haas and Janáček: This entire programme is somewhat in the spirit of Janáček. If one did not know that the composer of the Scherzo triste was Janáček’s pupil Pavel Haas, one might reasonably attribute…

The beginning of the season belongs to Antonín Dvořák, in part because the beginnings of the Czech Philharmonic are associated with him personally. At the opening concert the orchestra will be welcoming for the first time the outstanding Augustin…