In 1972, when Vladimir Ashkenazy was at a new peak both in his playing and in his career, we planned with him to shoot two recitals for television, one Chopin and one Beethoven. For quite some time he had been extremely reluctant to perform in…

In 1972, when Vladimir Ashkenazy was at a new peak both in his playing and in his career, we planned with him to shoot two recitals for television, one Chopin and one Beethoven. For quite some time, Ashkenazy had been extremely reluctant to perform…

This is a filmed record of Pinchas Zukerman’s first concert in Munich as both soloist and conductor. This is the concert, which provided two sequences for the film Pinchas Zukerman: Here to Make Music. Pinchas Zukerman was drawn into conducting by…

The programme is a musical celebration of the nativity, featuring many traditional carols, illustrated by pictures by the Old Masters from the National Gallery in London. With music by Handel and Vaughan Williams.

'Rejoice' is a celebration of seasonal songs and traditional carols. An outstanding item on this programme is the performance of Elgar's little known "Starlight Express" which was written for a Victorian children's play. Works by Mozart are also…

Itzhak Perlman plays the Brahms Violin Concerto with the Philharmonia Orchestra of London, conducted by Lawrence Foster. This is made as a pair with the Beethoven Concerto, but, in order to present another side of Itzhak Perlman’s many-faceted…

A mixture of music and words from Winchester Cathedral giving the story and meaning of the nativity.

Claude Debussy Trois Nocturnes Felix Mendelssohn Bartholdy Overture to "A Midsummer Night's Dream"

A series of recitals by the master pianist Vladimir Ashkenazy at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in part from his broadening…

A series of recitals by the master pianist Vladimir Ashkenazy at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in part from his broadening…