Sergei Rachmaninoff's The Miserly Knight & Aleko from the Dmitri Hvorostovsky Festival 2019

On Wednesday, October 16th, Dmitri Hvorostovsky's birthday, the Festival officially opens with a performance of Giuseppe Verdi's Messa da Requiem.

The essence of Verdi’s Requiem can be found in the words Libera me - “Free me”. The great composer employs every means at his disposal to portray man as prisoner of himself, with both his fear of death and yearning for salvation. Recording Dates: 14…

Haendel composed only episodically for the church: the Dixit Dominus is a psalm written during his stay in Rome, based on the Venetian models with borrowed Gregorian singing. We are stroke by the wealth of the words we hear: emotion pierces the mind…

Copernicus, the man behind the title of the opera, brought the revolution that radically changed man’s way of seeing things, shifting from the earth to the sun and its sacred flames. Barely a few stories – for there is no dramatic conflict here, no…

The French Baroque opera Hippolyte et Aricie carries its audience away into a realm of wonders with magnificent dance and choir scenes and the greatest possible multitude of musical forms. Philippe Rameau, a French contemporary of Bach and Handel…

This opera film is based on Jan Schmidt-Garre‘s highly acclaimed stage production of Beethoven‘s Fidelio. The producers carefully filmed and edited several performances. By using additional footage of Jacquelyn Wagner as Leonore the stage production…

The late French composer Pierre Henry was among the pivotal forces behind the development of musique concrète, becoming the first formally educated musician to devote his energies to the electronic medium. His final work Dracula was originally…

Monteverdi’s iconic opera articulates Orpheus’ attempts to soothe the keepers of Hades with his voice and his lyre. He is allowed to release his beloved Eurydice from the realm of the dead, on the one condition that he does not turn around to look at…

A founding text of German operatic Romanticism and an absolute masterpiece of musical theatre, Der Freischütz by Carl Maria von Weber has not been performed at La Scala since 1998, when it was conducted by Donald Runnicles, but it is worthwhile…