“I was always attracted to different types of melodies, harmonies and grooves. Combining those influences is a matter of getting in touch with the spirit and emotions in the music, and trying to convey those same emotions with honesty. I don’t care…

The "Platz der Republik" in Berlin is the middle of Germany which was once the sight of the Kroll Opera. Caruso sang and Otto Klemperer conducted there. The film tells the story of the Kroll's establishment and the Platz der Republik.

In 1808 the composer and violinist Louis Spohr was invited to a rehearsal in Beethoven's house of the D Major Piano Trio, Opus 70, No.1 known as The Ghost, and wrote of the occasion: "It was not an enjoyable experience. First of all the piano was…

“The boy with the Wig - Kids on Mozart” shows the fascination of the children for Mozart. In the 30-minute film children have the podium: boys and girls aged between eight and eleven recount Mozart’s life in their own words. In this way, an at times…

This portrait follows Annette Dasch in her time in Bayreuth, Geneva, Munich and Berlin, during rehearsals, in performances, and in preparations of her show “Annettes DaschSalon”. The 2010/2011 season was marked by special events - from major debuts…

Rolando Villazón as director and Nemorino: these tidings alone were enough to unleash a worldwide "run" on tickets to the Baden-Baden 2012 Pentecost-holiday opera. After his directorial debut in 2011 ("Werther", Lyon) the Mexican tenor now takes it a…

The starting point of Shchedrin's composition is the tune from Chopin's Prelude in C minor No.28 Op.20. Recorded in the Kongressaal in Munich, it is performed by Rodion Shchedrin himself, Nicolas Economou, Paul Gulda and the American jazz pianist…

A musical duel... An artistic masterpice... A grand piano competition between two of Scandinavia's finest pianists, Staffan Scheja and Roland Pöntinnen. A classical programme that will delight all audiences.

The three Sonatinas Opus 137 were written in 1816, one of Schubert’s happiest and most prolific years. He modelled them on the Sonatas of Mozart, but they are full of unmistakable Schubertian lyricism which was much admired by Brahms. The arpeggione…