Bodas de sangre (Blood Wedding), choreographed by Antonio Gades in 1974, depicts the story written by Federico Garcia Lorca of a bride who, on her wedding night, runs away with her former lover, now a married man with a child of his own. The furious…

During the eleventh edition of the famous Easter Festival the Mariinsky Orchestra is travelling across the vastness of Russia by train. In this documentary we will follow the orchestra on this musical journey and on its various concert stations. By…

It is always a great pleasure to see and hear young musicians succeed. The recent of Tchaikovsky's Violin concerto with the amazingly talented Patricia Kopatchinskaja as soloist was one such occasion. "As an interpreter I am most interested in…

The music world has known Menahem Pressler for more than half a century and mainly for his work with the famous Beaux Arts Trio. He was the heart of this ensemble and when in 2008 the trio decided to separate, it was not the end for Menahem Pressler…

This portrait follows Annette Dasch in her time in Bayreuth, Geneva, Munich and Berlin, during rehearsals, in performances, and in preparations of her show “Annettes DaschSalon”. The 2010/2011 season was marked by special events - from major debuts…

In 2014, Denis Matsuev gave a concert with the St Petersburg Philharmonic Orchestra, under the baton of Zoltán Kocsis. Together, they performed Liszt‘s Piano Concert No. 2 and his Totentanz, as well as Shchedrin‘s Elégie pour piano seul.

Following on from his "biography" of Claude Berri's French megahit movie, "Tchao Pantin", in this new film, Serge July investigates the life and times of Bernardo Bertolucci's controversial 1972 tragedy, "Last Tango in Paris". "Last Tango" is a noir…

This 52-minute documentary tells the story of the conception, the filming, the Italian première, and the world-wide release of the film that has become a manifesto of Italian Neo-Realism, and which revolutionized cinematographic narration by…

This documentary is a testimony to the ambition to make ‘’a European film’’ that could compete against Hollywood. It is also an exceptional portrait of a director who was haunted by the game of chance, and coincidence.

Monsieur Hulot is almost a silent film: Jacques Tati prefers gestures and noise to words, which, similar to his contemporary Beckett, are reduced to a succession of incomprehensible vowel sounds.