Alphaville, Germany's biggest synth-pop export and creators of the legendary 80s anthems "Big in Japan", "Sounds like a Melody" and "Forever Young" are looking back on 40 years of band history and export their greatest hits to the symphonic world…

This selection of some of Bach’s most perennially popular keyboard music admirably demonstrates the many varied facets of the composer’s fertile imagination. Deep pathos is contrasted with witty humour, serenity is paired with fleetness of foot, and…

EuroArts is proud to present soprano Anna Netrebko and tenor Yusif Eyvazov in a unique program of arias and duets from operas by Verdi, Cilea, Puccini and Giordano, among them pieces Anna Netrebko has never recorded before.

Annette Dasch started her fulminant career as a winner of prestigious international singing competitions and is nowadays one of the most sought-after singers. She is also known for developing her own musical programmes. In 2011, an extraordinary…

With works by Richard Strauss and Robert Schumann, the birthday concert is dedicated to two composers important for the orchestra and the city of Dresden. Strauss's work, which is based on Molière's satire 'Le bourgeois gentilhomme', has a very…

Antonio Pappano together with the Sächsische Staatskapelle Dresden are presenting a symphonic work with particular relevance for Dresden: Rachmaninoff‘s Symphony No. 2 , which was written during the composer‘s years at the Saxon residency. The…

In 1972, when Vladimir Ashkenazy was at a new peak both in his playing and in his career, we planned with him to shoot two recitals for television, one Chopin and one Beethoven. For quite some time he had been extremely reluctant to perform in…

In 1972, when Vladimir Ashkenazy was at a new peak both in his playing and in his career, we planned with him to shoot two recitals for television, one Chopin and one Beethoven. For quite some time, Ashkenazy had been extremely reluctant to perform…

Vladimir Ashkenazy has had a particular affection for the music of Rachmaninoff throughout his professional life, and his performances have long had the ring both of authenticity and of deep commitment. This is not surprising in a Russian-born and…

Vladimir Ashkenazy closed the 1984/85 season in London with a recital at the Royal Festival Hall that was regarded by many of those present as a new peak in his musicmaking. If that perception is correct, it is a remarkable achievement in a career…