In November 2004 a new name caused listeners to prick up their ears on the international orchestral scene: under Claudio Abbado’s artistic guidance the Orchestra Mozart came into being. It combines both young instrumentalists on the threshold of a…

Requiring 38 soloists, chorus and large orchestra, Hans Pfitzner’s Palestrina is a challenging opera to stage. In Munich, the city in which it was given its world premiere in 1917, director Christian Stückl and the Bavarian State Opera met those…

A film by Paul Smaczny and Maria Stodtmeier. Venezuela's unique system of music education takes children from violent slums and turns some of them into world-class musicians. "El Sistema" shows how Venezuelan visionary Jose Antonio Abreu has changed…

Surely Bach’s French Suites, which he composed during his years at Cöthen (1717–1723), are among the finest inducements to practise that any teacher has ever made to a pupil. In this case Bach wrote them for his young wife, Anna Magdalena. The over…

Martha Argerich has long been hailed as one of the greatest and most uniquely imaginative pianists. She is most admired for the pure joy of her music-making and her individual approach to each work, each situation and each audience. A wild child and…

A true celebration, ushering in the New Year with one of the finest orchestras and greatest conductors in the world. The 2007 Gala from Berlin features the Berlin Philharmonic and Sir Simon Rattle in Alexander Borodin’s Second Symphony, a richly…

Mussorgskis monumental “national music drama” Khovanshchina in the brilliant instrumentation of Dmitri Shostakovich is regarded as one of the most important works of Russian Opera. The five-act opera about the Moscow Uprising of 1682 was unfinished…

When Korean composer Unsuk Chin’s opera was first performed by the Bavarian State Opera in Munich, it caused a sensation among music critics worldwide. Based on Lewis Carroll’s famous and fascinatingly enigmatic novel Alice in Wonderland, it is a…

“Once again Loy has created the happiest of marriages between a role and it's interpreter, and Edita Gruberova faces up to the manifold demands of this difficult part with uncompromising assurance, relying on her phenomenal technique, her radiant top…

A “triumph of remembrance,” wrote Die Welt following this stirring concert given by the Berliner Philharmoniker under Seiji Ozawa and with Anne-Sophie Mutter as soloist. It left its audience hovering between hushed reverence and deafening exultation…