Few artists are as familiar with the piano works of Mozart, Beethoven, Chopin, and Schumann like Daniel Barenboim, who is well-known for his interpretations of Beethoven and Mozart‘s compositions in particular. This five episode mini-series recorded…

The motto called "IN EXILE – OF GODS AND MEN" connects ancient mythology, the Renaissance and the present: The Friedrichswerdersche Church, which was re-opened in October for museum exhibitions but had to close again right away due to the pandemic…

The motto called "IN EXILE – OF GODS AND MEN" connects ancient mythology, the Renaissance and the present: The Friedrichswerdersche Church, which was re-opened in October for museum exhibitions but had to close again right away due to the pandemic…

Vladimir Ashkenazy has had a particular affection for the music of Rachmaninoff throughout his professional life, and his performances have long had the ring both of authenticity and of deep commitment. This is not surprising in a Russian-born and…

The three Sonatinas Opus 137 were written in 1816, one of Schubert’s happiest and most prolific years. He modelled them on the Sonatas of Mozart, but they are full of unmistakable Schubertian lyricism which was much admired by Brahms. The arpeggione…

The three Sonatinas Opus 137 were written in 1816, one of Schubert’s happiest and most prolific years. He modelled them on the Sonatas of Mozart, but they are full of unmistakable Schubertian lyricism which was much admired by Brahms. The arpeggione…

A series of six recitals, including the last five Beethoven Sonatas, by this master pianist at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in…

A series of six recitals, including the last five Beethoven Sonatas, by this master pianist at a new peak in his career. Both his audiences and the critics have been aware in recent years of new dimensions in Ashkenazy's playing. This may stem in…

On the 17th of June 1986 Nathan Milstein, who was 82 years old at the time, gave his last public recital. It was a historic occasion and it took place 72 years after his famous first appearance in Leopold Auer's violin class in St Petersburg in 1914…

On 17 July 1986, Nathan Milstein played his last public recital in the Berwaldhallen in Stockholm. The recital included the Bach Chaconne, one of the towering masterpieces of Western music and one of the most difficult to do justice to. Milstein was…