Le Balcon is a chamber orchestra dedicated to the interpretation of music through the amplification of acoustic instruments. The orchestra’s winds quintet invites to a concert that is both cinematographic and poetical. A musical journey will take you…

This film was shot in three days early in March 1966 and edited in three weeks. It was the first of its kind and there have been so many successors in the past thirty years that it can truthfully be described as epoch-making. It is probably still the…

1970 was the 200th anniversary of Ludwig van Beethoven’s birth and, to mark the occasion, Daniel Barenboim and Christopher Nupen collaborated on a thirteen-part series about the man and his music. Close friends at the time, Barenboim as artist and…

A film about Georges Bizet and his ill-starred masterpiece. This film has two themes: first the substance and narrative of Bizet's perennially popular opera and second the story of its disastrous première, which had such a dramatic effect on Bizet…

When Pinchas Zukerman was twelve years old, it was already clear to Pablo Casals and Issac Stern that he might become one of the greatest violinists of all time. From this came the idea to make, for the first time ever, a film which deliberately sets…

Itzhak Perlman plays the Brahms Violin Concerto with the Philharmonia Orchestra of London, conducted by Lawrence Foster. This is made as a pair with the Beethoven Concerto, but, in order to present another side of Itzhak Perlman’s many-faceted…

Claude Debussy Trois Nocturnes Felix Mendelssohn Bartholdy Overture to "A Midsummer Night's Dream"

This live recording captures the memorable occasion when these two famous jazz pianists met for the first time in the Kongressaal during the Munich Klaviersommer 1983. On two pianos, they play an exciting version of Round Midnight.

Daniel Barenboim plays Beethoven's complete Piano Sonatas. Live recording from the Palais Lobkowitz, Palais Kinsky, Palais Rasumowsky and Schloss Hetzendorf in Vienna (1983/84). All sonatas are available separately (Progr. Nos. 6610-6641)

The three Sonatinas Opus 137 were written in 1816, one of Schubert’s happiest and most prolific years. He modelled them on the Sonatas of Mozart, but they are full of unmistakable Schubertian lyricism which was much admired by Brahms. The arpeggione…