This is a filmed record of Pinchas Zukerman’s first concert in Munich as both soloist and conductor. This is the concert, which provided two sequences for the film Pinchas Zukerman: Here to Make Music. Pinchas Zukerman was drawn into conducting by…

When Pinchas Zukerman was twelve years old, it was already clear to Pablo Casals and Issac Stern that he might become one of the greatest violinists of all time. From this came the idea to make, for the first time ever, a film which deliberately sets…

Although he was still in his early thirties when this film was made, Itzhak Perlman’s virtuosity was already something of a legend and he was soon to become one of the most popular figures on the international concert stage. This film played a major…

Three of the world's leading jazz guitarists - Charlie Byrd, Barney Kessel and Herb Ellis, tour Europe following their successful Carnegie Hall concert.

This live recording begins with Corea's suite entitled Homecoming, played by both pianists and continues with six pieces from Bartók's Mikrokosmos. Another Corea piece follows - Duet for Two Pianos in Three Parts.

A concert by these acclaimed pianists, each from widely differing piano disciplines, features them improvising together. Solo performances punctuate the concert

It is not an account of events in an artist’s life, nor is it a critical examination of his music, which speaks more eloquently for itself than any words might do. It is an attempt at using the medium of film to echo something of the spirit of…

Jacqueline du Pré had a very unusual and elevated relationship with the Elgar 'cello Concerto. For critics and public alike, her performances focused new attention on the inherent pathos in Elgar's melancholy masterpiece and had a ringing authority…

The starting point of Shchedrin's composition is the tune from Chopin's Prelude in C minor No.28 Op.20. Recorded in the Kongressaal in Munich, it is performed by Rodion Shchedrin himself, Nicolas Economou, Paul Gulda and the American jazz pianist…

This live recording captures the memorable occasion when these two famous jazz pianists met for the first time in the Kongressaal during the Munich Klaviersommer 1983. On two pianos, they play an exciting version of Round Midnight.